Cadences and 6/4 Chords
Cadences and 6/4 Chords
Lecture Notes:
- Melodic Bassline - Melody happens in the bass.
- Arpeggiated Bass - Onl the Bass moves in 5th & the upper voices stay the sams
Types of Cadences
- Perfect Authentic Cadence (PAC) is the most final-sounding cadence. Always ends in the root position
- Imperfect Authentic Cadence (IAC) - A dominant function to a tonic function. Dont end in the root position (PAC but inverted).
- Half Cadence - Ends on the dominant Chord.
- Deceptive Cadence (interrupted) - When the dominant doesn't resolve to the 1, then it would be end anywhere and tonic.
- Plagal Cadence - When the IV (4) resolves to a I (1).
The above shows the list of the types of cadences and how the functions work.
Image from:
https://www.8notes.com/school/theory/phrases_and_cadences.asp?show=all
Types of 6/4 Chords
- Pedal (Neighbor) 6/4 - bass is stationary while the upper voices move. The upper voices moved in a neighboring motion.
- Passing6/4 - Is connecting a root position moving to a first inversion using a passing note
- Cadential 6/4 - Most unstable. The Bass note is the 5th of the scale degree while the upper voices is the tonic notes creating a I(1) 6/4. There will be 2 tendency note resolving to a V (1).
Here's a YouTube video from "Music Matters". In this video, he talks specifically about the Cadential 6/4. He shows you the rules and how it work using the keyboard and the staff on the board.
Above, is a video of me playing the SATB voicing for S.A.T.B. in the key of G minor using my primary instrument (Piano). Below is the numbered Chord progressions for the excerpt.
Below is an image of the musical score for the SATB that I arranged.
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