Lesson 8: Inversions, Figured Bass, and Lead Sheets Lecture Notes: In finding a chord look for the lowest note to find the root note . The difference between the root and the bass is that the root is the foundation of the chord. On the other hand, the bass is the lowest note of a chord. There are three types of inversions of a chord: Root Position, 1st Inversion and 2nd Inversion. Inversions The root position is stacked in thirds and it has the rote note at the bottom. The 1st inversion will have the third (3rd) at the bottom as the bass followed by the rest of the chord above it. The 2nd inversion will have the fifth (5th) at the bottom as the bass followed by the rest of the chord above it. Image from: https://dictionary.onmusic.org/terms/2943-root_position Figured Bass Figured Bass is finding what inversion the chord is in based on the intervals above the bass. Always remember that 5/3 is Root Position, 6/3 is 1st inversion, and 6/4 is 2nd inve...
4th and 5th Species Counterpoint Lecture Notes: The fourth species counterpoint moves only the 3rd beat of each measure using only half notes. The fourth species counterpoint has three ( 3 )parts: Preparation: The note from the previous bar will be consonant to agree with the bass note. Suspension: The downbeat of the next measure will be dissonant because of the tied note from the previous measure to the next. Resolution: The dissonant must resolve to a consonant on the 3rd beat. Image from: https://hellomusictheory.com/learn/species-counterpoint/ The fifth species counterpoint is a mixture of all of the species from the first to the fourth put together. Image from: https://musictheory.pugetsound.edu/mt21c/FifthSpecies.html You must have eighth notes placed somewhere in the cantus firmus. Image from: http://www.fittonmusic.com/writing/harmony/counterpoint/fifthspeciescounterpoint.html Here's a YouTube video from " A...
From Counterpoint to Choral Style Lecture Notes: A Cadence is a sequence of notes or choral comprising the close of a musical phrase. There are three (3) roles of chords: Tonic: It's the home base. This would usually be found in the tonic and submediant (relative minor) chords. ( I ) ( vi ) Predominant: Leads to the Dominant. ( ii ) ( IV ) Dominant: It has the leading tone which takes you back to the tonic. ( V7 ) ( vii °) ( iii ): The odd tune. It doesn't belong to any category. It is used as a passing chord. Image from: https://human.libretexts.org/Bookshelves/Music/Music_Theory_for_the_21st-Century_Classroom_%28Hutchinson%29/09%3A_Harmonic_Progression_and_Harmonic_Function/9.04%3A_Harmonic_Function The chordal dissonance would be the class within the chord that has the tendency to resolve. Chordal dissonance falls under the Dominant category. In the Dominant Chord, there are two seventh...
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