Lesson 8: Inversions, Figured Bass, and Lead Sheets Lecture Notes: In finding a chord look for the lowest note to find the root note . The difference between the root and the bass is that the root is the foundation of the chord. On the other hand, the bass is the lowest note of a chord. There are three types of inversions of a chord: Root Position, 1st Inversion and 2nd Inversion. Inversions The root position is stacked in thirds and it has the rote note at the bottom. The 1st inversion will have the third (3rd) at the bottom as the bass followed by the rest of the chord above it. The 2nd inversion will have the fifth (5th) at the bottom as the bass followed by the rest of the chord above it. Image from: https://dictionary.onmusic.org/terms/2943-root_position Figured Bass Figured Bass is finding what inversion the chord is in based on the intervals above the bass. Always remember that 5/3 is Root Position, 6/3 is 1st inversion, and 6/4 is 2nd inve...
4th and 5th Species Counterpoint Lecture Notes: The fourth species counterpoint moves only the 3rd beat of each measure using only half notes. The fourth species counterpoint has three ( 3 )parts: Preparation: The note from the previous bar will be consonant to agree with the bass note. Suspension: The downbeat of the next measure will be dissonant because of the tied note from the previous measure to the next. Resolution: The dissonant must resolve to a consonant on the 3rd beat. Image from: https://hellomusictheory.com/learn/species-counterpoint/ The fifth species counterpoint is a mixture of all of the species from the first to the fourth put together. Image from: https://musictheory.pugetsound.edu/mt21c/FifthSpecies.html You must have eighth notes placed somewhere in the cantus firmus. Image from: http://www.fittonmusic.com/writing/harmony/counterpoint/fifthspeciescounterpoint.html Here's a YouTube video from " A...
Lesson 3: Major Scales and Major Keys Lecture Notes: The order of sharps (#'s) in key signature is the order of flats ( ♭'s) inverted. (F#, C#, G#, D#, A#, E#, B# and B♭, E♭, A♭, D♭, G♭, C♭, F♭) In order to remember a major scale from a key signature with flats (♭'s), look at the 2nd to last flat of the key signature and that would be considered the major key. In order to remember a major scale from a key signature with sharps (#'s), look at the last sharp of the key signature, raise that same note half-step higher and that would be considered the major key Both images from: https://www.musicnotes.com/now/tips/key-signature-hacks-easy-tricks-for-memorizing-major-and-minor-keys/ Here's a YouTube video from "Brad Harrison Music". In this video, He talks about everything you need to know about key signatures and how they can effect the outcome of a piece of music if used correctly and incorrectly. The circle of fifths is a sequence of keys represented ...
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